![]() It seems to be standing the test of time very nicely, too. This film remains one of his greatest achievements. DeSica's career is most impressive, being involved in nealy 200 films, 165 of them as an actor. ![]() Like most "masterpieces," a film-classic score provides emotional depth in a subliminal way: here it's a romantic, Italianesque original composition by Aessandro Cicognini wraps up the entire production. His work with young Enzo Staiola (as Bruno) is especially commendable, and he allows then nonprofessionals Lamberto Maggiorani (as Antonio) and Lianella Carell (as Marie) to act in a model of naturalism.Ĭarlo Montuori's photography is brilliant, and Antonio Traverso's production design is pungent and atmospheric. DeSica is clearly the fine craftsman here, directing every scene with a beautiful sense of control and balance. Structurally, it's a theme and variations, with such a simple, clearly stated main motif that one can identify and follow its mutations with no effort. It is considered a great work of the Italian cinema, and looking at it in its 1999 release version, one can see why. There's not much that can be said about "The Bicycle Thief" that hasn't already been expressed.
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